Example for a gift for Washington | Acrylic Bloc 10x15cm | with Makro Money each 150,00

Pete Jones’ work offers a rare opportunity to deepen that narrative in a way that aligns directly with the core of Currency Research business: money itself.

Why Pete Jones — and Why Currency Research
Jones, who calls himself a “photosopher,” creates large‑scale photographic works from the micro‑details of world banknotes. With almost surgical precision, he reveals hidden landscapes, political symbols, historical fragments and cultural codes embedded in currency — details that normally pass unnoticed in daily transactions.

His work is not about money as a commodity, but money as:

• a cultural artifact
• a system of value and belief
• a mirror of power, history and identity
• a symbol of trust and exchange

This is the same terrain Currency Research navigates every day — (through its close relationships with central banks, regulators, payment operators, printworks, and other companies that are part of the cash and payments industry), but through leading global provider of premium conferences, analysis and strategy. Jones navigates it through perception, reflection and art. The alignment is natural, elegant and powerful: Currency Research doesn’t just grow capital — it sees money differently.


Why This Matters Now
In a market where financial firms often communicate in similar ways, Currency Research has another opportunity to differentiate itself through intelligence, cultural literacy and boldness. Jones’ work gives Currency Research a platform to say:

• We understand value beyond numbers.
• We see what others overlook.
• We are not afraid to examine the foundations of capital itself.
• We are a firm that thinks — and sees — differently.

We believe this is the kind of message that resonates with clients who expect more than performance; they expect perspective.

Makro Money
With Makro Money, Jones uses macro photography to reveal the hidden details of everyday currency. By magnifying textures, symbols, and design elements, he highlights money as a cultural object that carries stories far beyond its practical function.
The series invites viewers to reflect on how value is created and perceived—both economically and culturally — without moralizing or taking a political stance. Through light, scale, and precision, Makro Money opens a fresh visual perspective on a familiar object and explores the relationship between creativity, recognition, and the systems that shape our daily lives.

“MAKRO MONEY — Presented by Currency Research”

A curated presentation of Jones’ works at the fair would:

• Visually embody CR relationship to value, capital and global markets
• Offer a striking, conversation‑driving environment for client engagement
• Reinforce Currency Research leadership role within the fair
• Generate high‑quality content for brand storytelling (video, editorial, social)

This is not generic art sponsorship — it is a direct, conceptual extension of Currency Research identity.

What we ask for:
Full production costs (printing, framing, travel expenses, insurance, booth build).

which is easy in Germany, since I live in Frankfurt, Germany

Thank you for your time — we’re ready for the next step
whenever you are.

Let’s create something exceptional together.